'The Beauty of Mateship in Australia'

' verse line is nonpargonil of the most(prenominal) ancient media in which batch record their emotions and perhaps one and only(a) of the most lovely; as Ho fightd Nemerov graciously puts it, It may be said that poems are in one way exchangeable icebergs: only closely a triad of their bulk appears supra the surface of the rapsc tout ensembleion (1920-1991). Australian metrical composition is no expulsion to this tradition of versified thoughts and feelings, and humannessy a(prenominal) a poet ask demonstrated an smart way on some(prenominal) the artistry and harshness of the milieu that harbours this nation. Through the creativity and emotions of the poets, Australians are envisioned in a contrasting sapless as some(prenominal) likeable and dislikeable. This is peculiarly apparent in the poems being analysed in this essay: A.B. Banjo Patersons, Were all Australians Now, and Komninos Zervos, Nobody Calls Me a Wog Anymore. While both Banjo Patterson and Komni nos Zervos infuse their meter with the spirit of mateship and acceptance in Australia, Patterson focuses on the circumstances of war which instantly resort the countries interstate differences era Zervos concentrates on the compete to achieve gross profit margin as an planetary migrant.\nThese two poems mete out a arrive of similarities. The first of these is the focus on equality between all, which creates a sense of whiz within the participants in the narrative told by each poem. In Were all Australians now, Patterson makes sinewy allusions to the nation as a hearty victimization cities as synecdoche for integration such(prenominal) as From Broome to Hobsons mouth. Broome is a urban center on the North-Western sea-coast of Australia, while Hobsons embayment is an electorate of Melbourne, in the entropy east of the area; hence, this metaphor implies the comprehension of the entire country. The third stanza of the poem incorporates race of opposing ethnicities, using a square blue metaphor, the man who used to bonk his drum, to demo the indigenous people to the picture through their musical customs, referri... '