In his book Fear and Trembling, Søren Kierkegaard deals with the concept of perspective and the melodic theme of sacrifice, focusing particularly on the news report of Abraham and Isaac, as presented in the Bible. Abraham here is depicted obeying divinity fudge and abandoning fond norms ? the process through which he earns honor and glory as the father of faith. This is what Kierkegaard calls ?the teleological suspension of the estimable?, and concludes that faith is essentially conundrumical. The problem he wants to address is whether one is justified by suspending the ethical in favour of a high authority, God for example. In this canvas I testament present Kierkegaard?s understanding of faith as a paradox, whereby the particular is higher than the universal, and therefore demands a teleological suspension of the ethical. In disposition to present the paradox of faith more accurately, I will outline and try Abraham?s story as presented in the book of contemporaries in the Bible. Finally, I will count this story against ethics, pietism and social laws, and logically argue that Abraham does non deserve pay back as the father of faith, as the Bible asserts, but that he ought to be prosecuted and convicted of attempted murder. Kierkegaard?s concept of faith as a paradoxKierkegaard posits out cardinal possible styluss of homosexual cosmea superseding each other as follows: aesthetic, ethical and sacred.
The aesthetic mode is found on stunning pleasures; the ethical mode is based on social norms; and the religious mode is based on one?s principle in God. Kierkegaard prais es aesthetic and ethical responses to life b! ut maintains that they do not free human beings from dread and despair. Consequently, human beings derail to the religious mode of universe of discourse and establish a relationship with God that has no decisive evidence to be recommended. The relationship of an individual... If you want to get a full essay, monastic order it on our website: OrderCustomPaper.com
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