Redesigning Women: Television After the Network Era

In her check, Redesigning Women: Television aft(prenominal) the Network Era, Amanda Lotz explores the depiction of superstar female characters on tv and what she chit-chats the overbold char adult female. Published in 2006, Lotzs examination of the advanced cleaning lady is defined by many characteristics, including an emphasis on independence, successfulness, and dating. Now, almost ten years after Lotzs book was first published, the bleak adult female can still be seen on television only when with some notable evolutions. In recent years, the TV serial Girls and commodious metropolis ware premiered, giving voice to a completely forward-looking clean fair sex, whom I will call the sensitiveest woman. In my examination of the newest woman I will remove the pilot episodes of both colossal metropolis and Girls to explore the new and old ways in which this newest woman has manifested. While this newest woman shares some characteristics with Lotzs new woman, she appe ars to be even younger, much sexually enlightened, and struggling more fully under the heaviness of her independence. In order to bear witness this transformation, I will be comparing and contrasting ternion specific aspects of Lotzs new woman to the newest woman anchor in Girls and Broad City: her career or gliding of independence and her sexuality.\nNew woman characters throughout television annals primarily have been exclusive girls, young women who seek jobs in the city prior to unification (Lotz 88). The series Broad City and Girls share some similarities with this new woman: both shows join around a root word of primarily single women in their twenties living in New York City. Thus, like Lotzs new woman, these single women too pursue lives within a metropolis setting. While unmarried, Lotzs new woman is visualized as a successfully independent career woman in her early thirties (90). In both Girls and Broad City, however, the newest woman differs from the new...